Bill Cunningham New York, a documentary about the New York Times society and street-fashion photographer, was playing at our local art house this weekend, providing me with some unlikely insight into this mid-life crisis that recently led me to quit a perfectly good job without having another position lined up.
Cunningham, who is 83 (!), still bicycles around Manhattan to his various assignments, but that was not the inspiring part. Nor was I impressed by his award from the French Ministry of Culture, his friendship with Lady Astor, or the praise heaped on him by Anna Wintour. (Was I the only person in America who read The Devil Wears Prada and rooted against the beleaguered assistant? Honestly, if I were Anna Wintour, I would have kicked Lauren Weisberger’s ass to the curb the first time she pulled a mopey face about fetching coffee.)
No, it was Cunningham’s strong point of view that won me over. He did one thing, and he did it so well that he had the fashion world at his feet, without (seemingly) kowtowing, publicizing, self-marketing, or otherwise promoting himself. Not that I’m against self-promotion, but it was a good lesson that when you’re at the top of your game and immersed in your art, you don’t need to be so concerned with your rank.
And then…you’re free to be nice. Cunningham was so gosh-darned nice. It truly was the feel-good movie of the year.
(There was also some impressive fashionista footage. I don’t really, shall we say, participate in the world of fashion, but I do like to look at pretty dresses or, alternatively, at Go Fug Yourself. My favorite scene in the whole film was when a former diplomat, modeling a hideous suit printed with a GIANT acid-yellow glen plaid, deadpanned, “I’m not sure what clan it’s from.” Dude, all of Scotland is wondering the same thing.)
My problem is that I don’t have that point of view, that one discipline, that immersion. I manage a department of people who perform six different roles, and a lot of my time is spent marketing those roles to other groups in the organization, convincing people that they, essentially, should let us help. Management is a worthy discipline, and marketing is a worthy discipline, but I don’t feel either is what I was born to do.
Husband — who was beyond supportive through my decision process; it was actually his idea that I should just quit and take the summer off — was a bit alarmed to hear my insight. “You do realize,” he said, “that you’re a little…old…to start a career in the arts?” Well, I had been thinking about going back to project management, but now that you mention it, Julia Margaret Cameron didn’t even start taking photos until she was forty-eight!